CV 
dunstanchristopher@yahoo.com
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Education
ArtCenter College of Design
Pasadena, CA
MFA, Media Design Practices

California College of the Arts 
San Francisco, CA
MFA, Writing

Northwestern University
Evanston, IL
BS, Performance Studies

Employment Vice President, Client Director
Ketchum 
2022–2025 (Multiple Engagements)
Clients: Frito-Lay, ExxonMobil, Capital One Auto

Vice President, Brand
RX Mosaic
2023–2024 (Mulitple Engagements)
Clients: Pfizer, AstraZeneca/Hockey Fights Cancer, Bristol Myers Squibb

Vice President
Communications Strategy 
Seismic Collective
2009–2021
Clients: Illumina, BD, Helix, DNA Script

Founder & Principal
Communications Strategy
Dandy Industries
2009–2019
Clients: HP, Qualcomm, Cisco, DNA2.0

Apps












Practice Areas










Languages
Unity
Cinema 4D
Lens Studio
Blender
DepthKit
OBS
Premiere Pro
After Effects
In Design
Touch Designer
Runway ML


Motion Graphics
Mixed Reality, AR & VR
AI & Machine Learning
Photogrammetry
Physical Computing
Volumetric Capture
Creative Coding
Drone Photography
Shaders


GLSL
C#
Processing
Javascrpt
HTML
CSS


MOMEX — Speculative Memory Interface
City Strata — Mixed Reality Interventions
Lenticular Video + Union App




Occlusion is a core concept in augmented reality—determining what virtual objects are hidden behind physical ones, and what's allowed to come forward. These projects play with this technically and metaphorically: AR as a tool for deciding what gets seen, what lingers in the imagination, what cultural moments are brought to the fore.

City Strata

These projects—The Occlusion Layer and The Emergence Layer—use augmented reality to change how people encounter the surfaces of cities—plaques, murals, monuments—that have become invisible through familiarity.

1. The Occlusion Layer (Los Angeles) 

The Occlusion Layer reveals hidden histories behind commemorative plaques. The title is a play on the inversion layer, the atmospheric phenomenon that traps smog over the city—fitting for a place where history is routinely erased and built over. Through Snapchat or Snap Spectacles, viewers discover AR "floats" derived from paper models representing key moments of occluded LA history. The project was exhibited as part of A Parade of Augmented Events at ArtCenter's DTLA gallery in 2021.





The chief prototype developed for this project tells the story of the massacre of Chinese immigrants in Los Angeles in 1871, the largest mass lynching in American history. At the time this project was developed, the only memorial to this event was a small historical marker inset in the sidewalk—a thin gesture toward an immense atrocity. In the AR experience, 19 burning gold paper ingots (yuan bao) emanate from behind the plaque to honor the dead.





To create the 3D model, I first folded a piece of joss paper into the traditional yuan bao form by hand, then captured it via photogrammetry. For me, this matters: the physical act of folding paper—a craft embedded in ritual and mourning—brings a human touch to the digital experience that a purely modeled object couldn't carry. It's a way of honoring what flat markers fail to hold.


VIDEO: 1871 Massacre AR Experience (1:25)


2. The Emergence Layer (Detroit)

The Emergence Layer takes a different approach: rather than uncovering what's hidden, it amplifies what's already there. Detroit has become a major mural city, the murals' emergence mirroring the city's broader creative resurgence—but attention fades as paintings become part of the landscape. 





This project brings murals back to life—in a first prototype, the painted rectangles of tree leaves spawn outward from the surface as 3D particles, as if the image were generating itself into physical space.


VIDEO: Prototyping AR Mural Experience (2:15)

© DANDY INDUSTRIES 2026