ERIC
DUNSTAN
CHRISTOPHER
SCHUBERT

Practice Statement

My specialty is the fusion of storytelling, creative technology, and design, whether for creating strategic frameworks—for new business and product launches, developing thought leadership, or planning for the future—or for immersive, mixed-reality experiences.

In addition to being a strategist, creative technologist, and media artist, I am a poet, writer, filmmaker, and bookmaker. I have several decades of experience leading teams to craft communication and brand strategy, with VP-level agency experience as a P&L manager on global client account teams.

I am a subject-matter expert on the impact of media technologies such as Artificial Intelligence and Machine Learning; 3D design and the metaverse; and virtual, augmented, and mixed-reality, with a proven ability to develop fluency in technical, engineering-driven industries such as genomics, life science, enterprise hardware & software, and energy.

In my personal design practice, I am concerned with the expression of identity in digital spaces and places, both as it pertains to memory and storytelling, as well as the ways in which digital spaces and places impact our sense of self and well-being.



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︎︎︎ Content Portfolio

ERIC
DUNSTAN
CHRISTOPHER
SCHUBERT
Practice Statement


My specialty is the fusion of storytelling, creative technology, and design, whether for creating strategic frameworks—for new business and product launches, developing thought leadership, or planning for the future—or for immersive, mixed-reality experiences.

In addition to being a strategist, creative technologist, and media artist, I am a poet, writer, filmmaker, and bookmaker. I have several decades of experience leading teams to craft communication and brand strategy, with VP-level agency experience as a P&L manager on global client account teams.

I am a subject-matter expert on the impact of media technologies such as Artificial Intelligence and Machine Learning; 3D design and the metaverse; and virtual, augmented, and mixed-reality, with a proven ability to develop fluency in technical, engineering-driven industries such as genomics, life science, enterprise hardware & software, and energy.

In my personal design practice, I am concerned with the expression of identity in digital spaces and places, both as it pertains to memory and storytelling, as well as the ways in which digital spaces and places impact our sense of self and well-being.



︎︎︎Email


The Occlusion Layer
1871 Chinese Massacre Plaque AR Experience

Studio 2



 

Snapcode for the 1871 Chinese Massacre Plaque

To scan a Snapcode:

1. Open Snapchat and point your camera at a Snapcode

2. Press and hold on the Snapcode on your screen to scan it
Critic and historian Norman Klein calls Los Angeles a city of “erasures and collective forgetting.” The Occlusion Layer employs Augmented Reality’s ability to reveal hidden visual and sound experiences to explore histories of LA that are hidden under plaques in and surrounding DTLA. Through the Snapchat app or Snap Spectacles, viewers of The Occlusion Layer will discover AR “floats” made of paper that represent key moments of hidden LA history:

* The 1871 Chinese Massacre, where a mostly white mob killed 19 Chinese immigrants—as represented by paper yuan bao (or gold ingots), set aflame as in traditional Chinese funeral practice

* The forced eviction of Mexican immigrants from their communities at Chavez Ravine in the name of urban housing development that never came to pass (but made way for Dodgers Stadium)—as represented by Mexican crepe paper flowers

* The 1967 demonstration against police brutality by the LGBT community at the Black Cat Tavern in Silver Lake (one of the earliest LGBT demonstrations)—as represented by paper protest signs



The Occlusion Layer Project
Proposal Video



Soundtrack: “The Sword Will Die” by Palm Skin Productions